SELECTED WRITING
"Grapefruit Ripening: Ten Years of Video Art in San Francisco,
1985-1995." Steve Anker, Kathy Geritz, and Steve Seid,
eds. A History of the Avant Garde Moving Image in the
San Francisco Bay Area, 1945-2005. Berkeley: University of California
Press, 2010.
"6-minute essays."
Dog Under Porch, New York: Little Socks Press, 2008: 17-20.
"Stories From a Generation: Early Video from the Woman's
Building". Sondra Hale and Terry Wolverton, eds. [From Site
to Vision] the Woman's Building in Contemporary Culture: The [e]Book.
2007 <http://fromsitetovision.org>.
"Dig
Where You Stand". Artists Pages, Thread Waxing Space, New
York, 2006.
Interview with Le Tigre, February 2004 for Le Tigre World at <http://www.letigreworld.com>,
currently offline.
Click here for Le Tigre Interview text.
"Flying in Dreams".
Katie Holten, ed. Papers (the publications). published in
conjunction with Laboratorio della Vigna, Katie Holten.
Irish Pavilion, 50th Venice Biennale, 2003.
"Core Sample". Randy Gragg and Matthew Stadler, eds. Core
Sample: Portland Art Now. Portland: Clear Cut Press, 2003.
"Temporary Headquarters:
Paintings by Hilary Harkness." Nest Winter 2001-02:
162-171.
"Leah Gilliam goes Apeshit
and renegotiates art, politics, and outmoded computers along the
way". Artbyte Magazine, 1999: np.
Leah Gilliam, Elisabeth Subrin, and Cecilia Dougherty."Dearest
Cecilia". FELIX: A Journal of Media Arts and Communication
Volume 2 Number 2, 1999: 232-234.
"After-the-fact
quasi conversation between Yvonne Rainer and Cecilia Dougherty."
Unpublished manuscript. New York: 1997.
Untitled paper
on the work of Marlon Riggs, presented at the College Art Association
Conference, Gay & Lesbian Caucus, 1997.
"No One Said
It Would Be Easy: the 1996 New York Lesbian and Gay Film Festival."
New Art Examiner August 1996 34-36.
"Identity
Crisis at the University Art Museum." New Art Examiner
September 1995: 29-37.
ARTICLES & CITATIONS
Elizabeth Freeman, Time Binds: Queer Temporalities, Queer Histories.
Duke University Press, 2010 (forthcoming).
Aimee Walleston. "On
the Hour: Artist-Curated Film Screening at CANADA Gallery."
Art in America International Review July 30, 2009 <http://www.artinamericamagazine.com/news-opinion/conversations/2009-07-30/canada-gallery-film-screening/>;
aslo at Interview Magazine, July 30, 2009 <http://www.interviewmagazine.com/blogs/contributors/aimee-walleston/
>.
Kate Lenkowsky. Contemporary Quilt Art: An Introduction and Guide.
Bloomington: Indiana University Press, 2008: x.
Ed Halter. "A Jones for Indiana." The Village Voice
July 3, 2007 <http://www.villagevoice.com/nyclife/0727,halter,77128,15.html>.
Brandon Hayes, Staci Nicholson. "Video Art's Popularity
With Queer Artists." 2005 <http://www.glbtq.com/arts/video_art.html>.
Michael Fox. "Speed: What would you do with one weekend to
write, shoot, and edit a short movie?" San Francisco Weekly
October 8, 2003.
Amy Sillman. "Cecilia
Dougherty." Swingset Issue 3 Winter 2003: 49-54.
Diana Burgess Fuller, Daniela Salvioni. Art, Women, California
1950-2000: Parallels and Intersections. Berkeley: University
of California Press, 2002: xi.
Sarah L. Stifler. "Slippery When Wet: An Exhibition Dossier."
GLQ: A Journal of Lesbian and Gay Studies- Volume 8, Number 1-2.
Durham: Duke University Press, 2002: 241-249.
Victor Fan. "New York Underground Film Fest." Film
Festival Reporter Spring/Summer 2001: 22.
Richard Baimbridge. "New York Underground Film Festival."
Res May/June 2001: p. 65.
Andrew Lewis Conn. "Notes from the Underground." Film
Comment May-June 2001: 67-68.
Dennis Lim. "Surreal Endgames, Seedy Glamour." The
Village Voice March 13, 2001.
Melissa Anderson. "Superstar: The Pat Loud Story/Double Fantasy,"
The Village VoiceMarch 13, 2001 <http://www.villagevoice.com/film/0110,anderson,22853,20.html>.
Irving Bellemead. "New York Underground Film Festival Report,"
Splendid Zine March 2001 <http://www.splendidezine.com/departments/&/nyuff.html>.
Aaron Krach, "Festivals: Talent Show, 8th New York Underground's
Movie Mish Mash," Indie Wire. March 21, 2001 <http://www.indiewire.com/ots/fels_01NYUFF_010321_wrap.html>.
Judith Halberstam. "The Joe-Joe Effect." GLQ/Gay and
Lesbian Quarterly. Durham: Duke University Press, 2000: 359-363.
Harmony Hammond. Lesbian Art in America, A Contemporary History.
New York: Rizzoli, 2000: 142-43.
Laura Cottingham. "Eating From the Dinner Party Plates."
Seeing through the Seventies:Essays on Feminism and Art.
New York: Routledge, 1999: 152.
Leah Gilliam, Elisabeth Subrin, and Cecilia Dougherty. "Dearest
Cecilia". FELIX: A Journal of Media Arts and Communication.
Volume 2 Number 2, 1999: 232-234.
Leah Gilliam and Elisabeth Subrin. "The Failure to Assimilate:
The Video Works of Cecilia Dougherty." FELIX: A Journal
of Media Arts and Communication. Volume 2 Number 2,
1999: 235-237.
Laurie Weeks. "Specimen: The Video Works of Cecilia Dougherty."
FELIX: A Journal of Media Arts and Communication.
Volume 2 Number 2, 1999: 238-241.
Isabel Sanduri, Lyn Love, and Jeremy Lehrer. "Profiles".
The Independent Film & Video Monthly March-April
1999: 39.
Ruby Rich. "In the Name of Feminist Film Criticism (1978-79,
1980, 1991)," Chick Flicks: Theories and Memories
of the Feminist Film. Durham: Duke University Press, 1998: 83.
Lia Gangitano, ed. The Failure to Assimilate: The Video Works
of Cecilia Dougherty. New York:Thread Waxing Space, 1998.
Claire Jackson and Peter Tapp, ed. The Bent Lens, A World Guide
to Gay and Lesbian Film. Victoria: Australian Catalogue Company,
1997: 92, 151, 178 and 225.
Nicholas de Villiers. "Dyke Camp: The Queer Connection."
Unpublished paper, 1997.
Chris Straayer. Deviant Eyes, Deviant Bodies: Sexual Re-Orientation
in Film and Video, New York: Columbia University Press, 1996:
204 and 218.
Michael Sarver. "Skin Deep, A White Guy Looks at Criticism,
Exclusion, History, and Power." Art CalendarDecember
1996: 11-12.
Sarah Schulman. "We Try Harder." Mix Festival Catalog
1996: 6-9.
Gwendolyn Audrey Foster. Women Film Directors: An International
Bio-Critical. Westport: Greenwood Press: 1995: 74.
Maria Troy and Thompson Owen. "Failure: a new tape by Cecilia
Dougherty." P-Form Winter 1995/96: 20-22.
Sarah Schulman. My American History. New York: Routledge,
1994: xviii, 156 and 254.
Liz Kotz. "An Unrequited Desire for the Sublime: Looking at
Lesbian Representation Across the Works of Abigail Child, Cecilia
Dougherty, and Su Friedrich." Martha Gever, John Greyson and
Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and
Gay Film and Video. London: Routledge, 1994: 86-102.
Eileen Myles. "Joe-Joe." Art In America April 1994:
129.
Erin Blackwell. "Joe Orton's Double-Dyke Life," Bay
Area Reporter October 7, 1993: 39.
Judith Halberstam. "Transgenderism - Coming to a Theatre Near
You." On Our Backs Sept/Oct,1993: 10-11.
Brandan Judell and Carletta Joy Walker. Arts Magazine. Live
radio interview with Cecilia Dougherty and Leslie Singer. WBAI Radio,
New York. June 7, 1993.
Liz Kotz. "Video Drone." Artforum May 1993: 15-16.
Harry Kloman. "Trying to do the Impossible." In Pittsburgh
April 28, 1993: 17.
David Bonetti. "Artists roll out the purple carpet for Prince."
San Francisco Examiner April 10, 1993: 44-45.
B. Ruby Rich. "A Queer Sensation: New Gay Film." The
Village Voice March 24, 1992: 41- 44.
Film Arts Foundation. "The Camcorder Revolution." Oral
presentation on the work of Cecilia Dougherty and others. San Francisco
Artspace, February 21, 1992.
Karl Soehnlein. "Unconventional Films and Videos Screen at
New York Festival." The Advocate August 1991: 81.
Mary Wings. "A Maverick Among Mavericks," The Advocate
September 10, 1991: 82-83.
Manohla Dargis. "Don't Blink." The Village Voice
September 10, 1991: 64.
Liz Kotz. "Re-mapping Boundaries: Video and Popular Culture."
Exhibition notes. Artist's Space, New York. March 1991.
Valerie Soe. "Cecilia Dougherty/Grapefruit." Cinematograph
Fall 1991: 87-90.
Steve Seid. "The Body Politic: Recent Video Art by Bay Area
Women." Release Print September 1990.
Liz Kotz. "Ec-centric Identities." Whitney Symposium,
Whitney Museum of American Art, April 1990. Oral presentation on
the work of Cecilia Dougherty and others.
Valerie Soe. "Linchpin of San Francisco Art." Artweek
March 1990: 22.
Valerie Soe. "Bay Area Video: Cycling through pot, punk and
politics." Artweek December 7, 1989: 22.
Liz Kotz. "Interrogating the Boundaries of Women's Art: New
Work in Video by Women." High Performance Winter 1989
36-41.
Kenneth Baker. "Five Artists Christen CCAC's New Gallery."
San Francisco Chronicle September 19,1989.
Steve Seid. University Art Museum Calendar. Pacific Film
Archive program notes. August 1989: pp. 9-10.
Christine Tamblyn. "Diamonds in the Rough." Shift Magazine
Number 5, 1989: 56-57.
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