Kevin Killian, rest in power (1952-2019)

On Saturday, June 15, 2019, Kevin Killian passed away. I shot this video of Kevin and Cedar Sigo in 2004, Kevin is reading one of Cedar’s poems, Theme, and his own poem, Who.

Kevin played the demanding and unforgiving father in my 1991 video, Coal Miner’s Granddaughter, and he played Peggy, the enterprising literary agent of Joe Orton,  in the collaborative bio-pic, Joe-Joe, which I created with Leslie Singer in 1993. Kevin was not an interpretive sort of actor. He created his characters from a sense of the total intention of the communicative enterprise and his contributions were enlightened and enlightening.

In the letter I received with Mirage Period(ical) #5, Kevin said he would like to talk to me on the phone.  I emailed him saying I’d love to talk and when would be good for him. I was definitely completely out of it, didn’t know that he was dying, and had no sense of his invitation for one last conversation as a wish that he knew would not be granted. Not a wish from me, but just from time itself.

Goodbye, Kevin.  I will miss you.

Coal Miner’s Granddaughter
Joe-Joe


Mirage Period(ical) #5

Mirage Period(ical) 5.5
The 25th Anniversary Issue of Mirage Period(ical)

Kevin Killian and Dodie Bellamy edited two more issues of Mirage Period(ical). Issue #5 December 2018, cover above, finally brings my 1997 conversation with Yvonne Rainer to light. Thank you! You can read the conversation here. Read about Mirage here.

Thanks, Kevin! Thank you, Dodie! Sending love.


New Year New Work 2019 at Film-Makers’ Cooperative, NYC Friday, Jan 25, 7PM

Film-Makers’ Cooperative, NYC

New Year New Work 2019

4 programs of experimental and avant-garde films
Friday Jan 25 – Sunday Jan 27, 2019
 
This is the 6th year that the Coop is holding a weekend of screenings to showcase work that’s come in over the previous year. My video portrait of Joe Westmoreland, called Joe, was screened on Friday, Jan 25 as part of the new works event.

Many friends were there. Joe Westmoreland, of course, and Charlie Atlas, with Lori E. Seid. And Elise Gardella, Phyllis Baldino, Amanda Trager, and Jim Hubbard all arrived. Sheila McLaughlin was there as well and introduced herself to me at the end. These people are all amazing!

The other work showcased: KG by Cynthia Madansky; Valeria Street by Janie Geiser, Carmel/Washington Heights/Home by Maia Liebeskind; Yem’s Place by Aaron Kelly-Penso; The Way Home by Erica Sheu; Soul Train by Carolina Mandia; Kendo Monogatari by Fabian Suarez; An Empty Threat by Josh Lewis.

What a fantastic screening! Makes remember why experimental filmvideo work is so important. It’s radical, it shows things in a new light, it asks lots of questions and many of those are visually-oriented.

Altogether, the events featured works by Ken Jacobs, Diana Barrie, Janie Geiser, Jack Waters, Josh Lewis, Cecilia Dougherty, Cynthia Madansky, Marie Losier, and more!!!


Curated by: Emily Apter, Ladya Cheryl, and Devon Narine-Singh.


 

Joe, by Cecilia Dougherty, 2019

This Just In: KUNSTHALLE BERN / KUNSTHALLE BAR PROGRAMM

CIRCLES

Community in den Filmen von
Peggy Ahwesh, Cecilia Dougherty und Hannah Quinlan & Rosie Hastings
DONNERSTAG, 23. AUGUST 2018, 19 Uhr

installation view, Kunsthalle, Bern
Circles, an installation at Kunsthalle Bern, Hannah Quinlan & Rosie Hastings

Here’s the description of the complete show, if you’re in Bern mañana:

In the late seventies, the filmmakers Lis Rhodes, Jo Davis, Felicity Sparrow and Annabel Nicolson founded the feminist film and video distribution network Circles in London. Circles was created in response to the need to have a platform for films by women. Previously, its founders had all been members of the London-based Film-Maker’s Co-op, and Circles was also a response to the lack of representation of women filmmakers in that co-op.
The screening at the Kunsthalle is part of a series of events and screenings focusing on filmmakers since the 1970s. The films screened are by Peggy Ahwesh, Cecilia Dougherty as well as by Hannah Quinlan and Rosie Hastings. They look in different ways at queer communities, playing with stereotypes, exploring the autonomy of community spaces and looking for individual forms of expressions within the communities.

With an introduction by the organizers Ann-Kathrin Eickhoff (Author & Art Historian, Zurich) & Geraldine Tedder (Assistant Curator Kunsthalle Bern)

Image: Hannah Quinlan & Rosie Hastings, UK Gay Bar Directory, 2016, Still from Film

Mit einer Einleitung von den Organisatorinnen Ann-Kathrin Eickhoff (Autorin & Kunstwissenschaftlerin, Zürich) & Geraldine Tedder (Kuratorische Assistenz Kunsthalle Bern)

I’m showing two videos, Eileen, from 2000, and Joe, from 2018 in Circles.
 


Desire as Politics at the Valade Family Gallery in Detroit, Feb-Mar 2018

Exhibition of LGBT Media in Detroit

Gay Tape: Butch and Femme (1985) screened recently at the Valade Family Gallery in Detroit. Many thanks to curators Scott Northrup and Jonathan Rajewsky!

Desire as Politics, gallery installation, Valade Family Gallery, Detroit Feb-Mar 2018
Desire as Politics, gallery installation, Valade Family Gallery, Detroit Feb-Mar 2018

Work by:
Sadie Benning
Cecilia Dougherty
Matt Lambert
Zachary Marsack
Benny Nemerofsky Ramsay
Rashaad Newsome
Ira Sachs
Akram Zaatari

Desire as Politics presents a selection of LGBTQ perspectives in contemporary film and video from 1985 to 2017. The exhibition is not meant to summarize this arbitrary span of time, but rather to look at works exploring a range of identities, social constraints and prejudices unique to LGBTQ positions, including representation, fantasy, fear, love and the blurring of binaries, positions that we feel are vital in our current climate.

Scott Northrup & Jonathan Rajewski

video still, gallery installation, Gay Tape: Butch and Femme by Cecilia Dougherty, 1985
Larger than life, a mural-sized installation for my video Gay Tape: Butch and Femme (1985)

From the exhibition catalogue:

Dougherty’s first video, made while she was studying at Berkely:
“I made it just around the time when the term ‘gay’ was for everyone and then ‘lesbian and gay’ become the new term, until we progressed to ‘LGBTQ’.

“Gay Tape is a documentary about some of the regulars at Ollie’s Bar, a lesbian dive on Telegraph Avenue in Oakland. The 1970s sartorial statement of flannel shirts, 501s, and Frye boots was passé and at odds with the new eighties aesthetic—tons of makeup, big hair, and complicated lingerie. Along with the new aesthetic came the reemergence of good old fashioned butch-femme role-playing. While the femmes pranced around like Stevie Nicks, their butch girlfriends reverted to an earlier role model, acting out fifties and sixties-style tough girl with brilliant aplomb. I asked some of the women from Ollie’s to talk on camera about role-playing.

“The camera instantly gave me too much control over content, so I tried to balance it by providing a platform for the women to speak on the butch-femme issue without overtly directing them. I relinquished authorship in favor of revelation and avoided coming to conclusions; the speakers were experts as well as subjects and could say whatever occurred to them. They spoke extemporaneously about their lovers, the details of their sexual identities, and their fantasies. My girlfriend at the time was one of the subjects. As her story unfolded I realized from my privileged position behind the lens that the lover she was describing in detail was not me. So much for the power of the gaze!

At a recent screening, the audience was interested in the difference between butch and transgendered, maybe not understanding that there were trans people in the community in 1985. I think there’s a distinction and as always, the people making the distinction are self-identified.”


New Narrative Conference to screen my videos ‘Eileen’ and ‘Kevin & Cedar’ at the Roxie Theater, San Francisco, October 2017

video still of Eileen Myles
Video still of Eileen Myles from my 2000 video portrait, EILEEN

Communal Presence: New Narrative Writing Today, UC Berkeley and UC Santa Cruz Conference October 2017

Two videos from my Writers Series are being screened at San Francisco’s famed ROXIE THEATER, where I personally have sooooo many memories of screenings and events from the days when I lived there. You can watch EILEEN (2000, 10:20) and KEVIN & CEDAR (2002, 8:30) on the big screen as part of the UC Berkeley/UC Santa Cruz jointly-organized New Narrative Conference. Pretty hot stuff.

video still from film Kevin & Cedar
Video still of Kevin Killian and Cedar Sigo from my 2002 video portrait, KEVIN & CEDAR

I’ll post more information about the conference dates, screenings, and venues as well as links as the news comes in.

Also screening with EILEEN and KEVIN & CEDAR are Marc Huestis’s Whatever Happened to Susan Jane? and Curt McDowell’s short Confessions.

 


Cecilia Dougherty at the Wexner Center for the Arts

This Woman’s Work: Ericka Beckman, Cecilia Dougherty, and Jennifer Reeder

In celebration of the Film/Video Studio Program

Sat, Apr 8, 2017 12:30 PM
 

video still from Gone, 2-channel installation by Cecilia Dougherty
Video still from my 2-channel installation GONE (2001, 37 mins), starring the inimitable Laurie Weeks.

Join the Wexner to celebrate the accomplished work of female filmmakers supported by the studio throughout its 27-year history. Exploring both traditional and experimental approaches to narrative, this program includes Hiatus, Ericka Beckman’s phantasmagoric, analogue exploration of virtual reality (1999, 30 mins., 16mm transferred to video); Gone, Cecilia Dougherty’s split-screen recreation of the PBS docudrama An American Family, here starring artists Laurie Weeks and Amy Sillman and featuring music by Le Tigre and Mike Iveson (2001, 36 mins., video); and the Ohio premiere of Artist Residency Award recipient Jennifer Reeder’s 2016 film Crystal Lake (19 mins., HD video). (program approx. 85 mins.)

Curated by the excellent Jennifer Lange

Fishing for Some Friends in Melbourne

video screening of works by Cecilia Dougherty and others, Feb 16, 2017, Melbourne Australia

Upcoming video screening by Cecilia Dougherty and others.

Fishing for Some Friends is a moving image exhibition in response to the misplacement of images both historic and contemporary. Contained within are images which due to aesthetic and political subversiveness have no collective home within Melbourne’s current cinematic landscape. These homeless images skirt the peripheries on the internet; skimming intermittently into conversations before being lost in the feed of information.

Fishing for Some Friends has caught some people and works that are excited about exploring new modes of representation, reimagining aesthetic expectations and citing alternative perspectives and conversations.

Fishing for Some Friends creates temporary space for moving image works from Cecilia Dougherty (New York), Charlie Freedman (Melbourne), Larisa Kosloff (Melbourne), Lucie McMahan (Melbourne), Meg & Jackson (Melbourne), Phoebe Mackenzie (Sydney), Siegfried A. Fruhauf (Vienna) and Steven Rhall (Melbourne)

6:00 – 11:00pm
16th February
115 Little Smith St. Fitzroy
Melbourne
Australia

Works of mine that are screening in this exhibition:
In A Station, Petals (2011, silent, 14:25) with a piece called Swell by Melbourne artist Laresa Kosloff, with a score by Melbourne musician Gregor

Also screening my first ever video, Gay Tape: Butch and Femme (1985, 26:50)

Shout out and thanks to Lucie McMahon, Melbourne!

 

 

Screening & Panel Discussion at MIX29 Queer Experimental Film Fest

Mix Queer Experimental Film Festival screening and panel discussion
Mix Queer Experimental Film Festival screening and panel discussion Feb 5, 2017

Artist and co-curator extraordinaire David Kalal and I have been working on a screening program and panel, called In-Between Theories, for the 29th MIX Queer Experimental Film Festival based on ideas we’ve been tossing around for at least a year. Or possibly longer!

The program is an exploration of queer ideas and expressions that are not quite the media for academic or even queer-political categorization, and which fall into – or more precisely, create – their own time/spaces.

When: Sunday, Feb 5, 6PM

Where: MIX29, The Dreamhouse, 1022 Wyckoff Ave., Bklyn/Flushing
(L train to Halsey)

What: Film, video and interactive work with a discussion with the artists to follow — things are going to get real — or maybe unreal — promises to be a great evening either way.

Click on the invite picture to go to our website http://www.inbetweentheories.com
with more information about the work and artists

… or go straight to the Festival website: https://mixnyc29.org/

Hope you can come out for In-Between Theories at MIX 29 on Sunday February 5th!