Time Before Memory

a story game by Cecilia Dougherty

Announcing my new mobile and web-native story game, which I produced in Twine and which has just been launched (Dec 8, 2019) by Microscope Gallery in Brooklyn as the first project in their new web-based artspace, Platform. Thank you, Andrea and Elle!

screen shot of Time Before Memory gameplay

You can play the game online here, or here. Play the story on your phone, your iPad or tablet, laptop, or computer. It’s Paleolithic!

This Just In: KUNSTHALLE BERN / KUNSTHALLE BAR PROGRAMM

CIRCLES

Community in den Filmen von
Peggy Ahwesh, Cecilia Dougherty und Hannah Quinlan & Rosie Hastings
DONNERSTAG, 23. AUGUST 2018, 19 Uhr

installation view, Kunsthalle, Bern
Circles, an installation at Kunsthalle Bern, Hannah Quinlan & Rosie Hastings

Here’s the description of the complete show, if you’re in Bern mañana:

In the late seventies, the filmmakers Lis Rhodes, Jo Davis, Felicity Sparrow and Annabel Nicolson founded the feminist film and video distribution network Circles in London. Circles was created in response to the need to have a platform for films by women. Previously, its founders had all been members of the London-based Film-Maker’s Co-op, and Circles was also a response to the lack of representation of women filmmakers in that co-op.
The screening at the Kunsthalle is part of a series of events and screenings focusing on filmmakers since the 1970s. The films screened are by Peggy Ahwesh, Cecilia Dougherty as well as by Hannah Quinlan and Rosie Hastings. They look in different ways at queer communities, playing with stereotypes, exploring the autonomy of community spaces and looking for individual forms of expressions within the communities.

With an introduction by the organizers Ann-Kathrin Eickhoff (Author & Art Historian, Zurich) & Geraldine Tedder (Assistant Curator Kunsthalle Bern)

Image: Hannah Quinlan & Rosie Hastings, UK Gay Bar Directory, 2016, Still from Film

Mit einer Einleitung von den Organisatorinnen Ann-Kathrin Eickhoff (Autorin & Kunstwissenschaftlerin, Zürich) & Geraldine Tedder (Kuratorische Assistenz Kunsthalle Bern)

I’m showing two videos, Eileen, from 2000, and Joe, from 2018 in Circles.
 


Flat is Beautiful: The Strange Case of Pixelvision, at Lincoln Center

August 10 – 16 at the Film Society of Lincoln Center

The Fisher price Pixel 2000 camcorder
The Fisher Price PXL 2000 camcorder!

The Film Society is showing a week’s worth of pixelvision with work by me (Cecilia Dougherty) as well as Michael Almereyda, Peggy Ahwesh, Joe Gibbons, and Eric Saks, and others. The show is curated by Thomas Beard.

here’s a link to the film society page for info:

https://www.filmlinc.org/press/fslc-announces-flat-beautiful-strange-case-pixelvision/

Stay tuned here for press!


Way Bay 2! Creative energies emergent from the Bay Area

At the Berkeley Art Museum PFA
June 13–September 2, 2018

My two videos that were part of the first iteration of this giant exhibition about Bay Area artists – Gay Tape: Butch and Femme and Leslie (about the writer Leslie Scalapino) are also in the second part of the exhibition.

postcard of video still from Gay Tape: Butch and Femme by Cecilia Dougherty
Postcard from my 1985 videotape called “Gay Tape: Butch and Femme” produced by the Way Bay exhibition team

From the Way Bay 2 website: The second iteration of an innovatively organized exhibition of art, film, performance, poetry, and archival materials, Way Bay 2 continues our wide-ranging exploration of the creative energies that have emerged from the San Francisco Bay Area over two centuries. The exhibition features almost two hundred works by Bay Area artists and others whose work engages directly with the region’s geographic and cultural landscape. Dozens of works not seen in the first iteration of the exhibition are on view, including pieces by Rosie Lee Tompkins, Jay DeFeo, Larry Sultan, Frank Moore, Sadie Barnette, Ajit Chauhan, Nicole Phungrasamee Fein, Conrad Ruiz, Michelle Vignes, and Lewis Watts as well as films by Jordan Belson, Lawrence Jordan, Lynne Sachs, and Chick Strand.

Ranging in historical scope from the early nineteenth century to the present, the exhibition explores the enduring themes and powerful artistic voices that have emerged from the Bay Area across times and cultures, highlighting transhistorical affinities among the many artists, filmmakers, authors, and other creative practitioners who have drawn inspiration from the region’s distinctive character. Rather than a conventional historical survey, Way Bay 2 is an open-ended and provocative attempt to reveal hidden currents and connections among works from disparate times, cultures, and communities.

Continuous film screenings in the galleries showcase the Bay Area’s rich history as an incubator for avant-garde and experimental cinema, beginning with a silent film that captures life on the streets of San Francisco just days before the 1906 earthquake destroyed much of the city. The exhibition also includes highlights from BAMPFA’s extensive archive of video and audio recordings of Bay Area artists.

A section of the exhibition is devoted to poetry by Bay Area writers, presented through an original, interactive postcard project. A series of performances and other programs, including readings by local poets and participatory workshops in the museum’s Art Lab, complements the exhibition.

In addition to works from BAMPFA’s collection, including a number of recent acquisitions on display for the first time, Way Bay 2 includes exceptional paintings, prints, photographs, and other works from UC Berkeley’s Bancroft Library and Hearst Museum of Anthropology.

 

Just launched: ‘longcat’ by Luba Drozd on In-Between Theories

 Dec 30 2017

In-BetweenTheories is the online artspace of Cecilia Dougherty and David Kalal. We are pleased to welcome Luba Drozd to with a new digital artwork commissioned for the project’s website. Inspired by the longcat meme that flourished in online forums and discussion boards of the early 2000s, LONGCAT repurposes the very body of that meme and infuses it with political content. Drozd makes visible in LONGCAT the current deeply divisive moment in American politics with all of its strategies of avoidance, overkill and misinformation. Riffing on the how digital debris of online eras just recently past continue to echo and be re-purposed, LONGCAT looks at how the virtual becomes tangible and the tangible then shapes our lived realities.
 
Discussing the genesis of the project she says, “Somebody … would post a longcat and you would have to scroll and scroll and scroll through it just so you could give them an answer. So, it’s basically something that precludes the debate and dialogue as “won.” Just because you’ve posted the longcat that’s it
– the debate is over – you won. Even though it’s completely illogical and non- negotiable. So, I was thinking about these devices … in the beginning of the Trump presidency. [KellyAnne Conway] uses a verbal longcat quite often where she just barrages you with nonsensical information, that you, in the end of the conversation you forget what the question was in the beginning. You just scroll and scroll – she just makes you scroll through, until you can’t hang on to any semblance of an idea of a question that started it.
 

PODCAST here

 

 

WayBay Video Screening at the Berkeley Art Museum Jan – Mar 2018

video still from Gay Tape: Butch and Femme by Cecilia Dougherty
Video still from my first video, GAY TAPE:BUTCH AND FEMME, which I made as an undergrad at UC Berkeley.

Berkeley Art Museum/Pacific Film Archive Exhibition

Current exhibition at the Berkeley Art Museum Pacific Film Archive (BAMPFA) includes my work, Gay Tape: Butch and Femme (1985), which I made as an undergrad at UC Berkeley, and Leslie (1998), a portrait of writer Leslie Scalapino, in a new BAMPFA exhibition, Way Bay, that will open in January 2018. Way Bay–which is co-curated by Lawrence Rinder, Kathy Geritz, and David Wilson, with Jon Shibata and Matthew Coleman–”will be one of the most expansive exhibitions of art from and about the Bay Area in recent memory.” You can read more about Way Bay by visiting the BAM/PFA website.

video still from Leslie, by Cecilia Dougherty
video still from LESLIE, a portrait of writer Leslie Scalapino

UNIVERSITY OF CALIFORNIA
BERKELEY ART MUSEUM & PACIFIC FILM ARCHIVE
2155 CENTER STREET, BERKELEY, CALIF.

BAMPFA.ORG