Neanderthals and Cro Magnons on the Horizon

Alasne, a Neanderthal child circa 33,000 BCE, from my web-based story, Shanidar.

I’m creating a web-based interactive story called Shanidar, a sequel to my 2019 piece, Time Before Memory (https://paleolithic.ceciliadougherty.com). Shanidar takes place in Paleolithic times and tells a story of a small band of Neanderthals and Cro Magnons on a migration through France, Italy, the Balkans and southward to what is now Iraqi Kurdistan, to a site called Shanidar, which is the location of the famous Neanderthal “flower burial.”

I started Shanidar, while we were, more or less, in lockdown. And while I had traveled to sites in Spain and France to research Time Before Memory,  I had to do a most of my research for Shanidar from my desktop. Unable to travel to Europe to gather source materials and take photographs of paleolithic sites, I decided to draw the background imagery for the story and imagine my fictional characters more clearly as people and less as (pre)historical elements.

Both stories have involved research into human species, climate change, patterns of human migration over thousands of years, and most wonderfully, into Paleolithic art, ritual, and behavior. There’s queer and trans influence in the storyline and characters as well, acknowledging a long history of multiplicities of gender.

Shanidar is speculative fiction, and is not science. It questions and critiques scientific findings and observations, nonetheless. I expect to finish this piece in mid-2022. I’m using Twine game software to create the story and am adding not only original imagery, but also an original soundtrack.

Ride

The ferry, the bus, the subway. Walk, too. Walk around the neighborhood in the early morning hours, especially, when few people are up and about and you can occasionally take off your mask and enjoy the air, the colors of dawn, and the fragrance of the fall.

Announcing the launch of my new web-based essay, RIDE, about what it feels like being in public and being on public transit in New York. A complete environment for daydreaming, people-watching, and finding your place, your role, in the city.

Click the link below!

Ride is here.


“Excavating Humanity” a review of Time Before Memory, my interactive story!!! by Tony Huffman. Thank you, Tony.

Arcade Project reviews Time Before Memory

Review by Tony Huffman. Here’s an excerpt:

Interweaving archaeological evidence with speculative fiction, Cecilia Dougherty’s web-based drama Time Before Memory (2019) interrogates the origins of our species and prompts reflection on its present state. Set during the Paleolithic Age (29,900-40,000 years ago) the multimedia play unfolds in three acts, each containing an indefinite number of scenes. The multimedia work was created with Twine — an open-source, engaging story generation platform — and combines elements of video games, literature, photography, and video. The tension between individual autonomy versus collective action, alongside interrelated issues of land, migration, and competition, is a major theme throughout Time Before Memory. Given such motifs, Dougherty’s inventive work of electronic literature resonates in our immediate moment, one marked by toxic individualism, scarcity of resources, and widespread fear stoked by nativist rhetoric. 

Read the entire review HERE – it’s a really good read. Tony Huffman understands this piece.

Experience Time Before Memory HERE.

https://www.arcadeprojectzine.com/features/excavating-humanity

CYFEST-13, St. Petersburg, Russia 2021

Empire Outlets Mall, St. George, Staten Island

FESTIVAL of new digital art of all kinds, from web-based art, generative art, GIF to augmented reality, VR, AI, 3D modeling, neural network art.

My new web-narrative, Drift, is now part of CYFEST (CYBERFEST) – 13. CHECK IT OUT!

The above image is of the new Empire Outlets Mall on the North Shore in St. George, Staten Island. The North Shore is the setting for Drift.

image by artist Ellen K. Levy for Cyfest
Ellen K. Levy (USA), Crying Astronaut, 2019, CYFEST-13

CHAOS AND COSMOS, Cyfest-13 Theme

Today, fundamental changes are taking place on our planet, and our entire lifestyle is being re-examined. We’re seeing other forms of life existing in what feels like a parallel universe – which we used not pay such close attention to – now invade our lives. Such inalienable rights as freedom of movement, meeting friends, socializing, and saying our last farewells have suddenly become impossible. The pandemic caught us unaware. Like in Noah’s Ark, we are locked up with our families and pets, or on our own as we move towards a new technogenic life. Virtual reality has suddenly crept into our lives and is asserting its rights. Social networks are becoming the only form of contact with the outside world, with friends and family. If personal QR-codes contain all the information about a person, including biological data, then where will the boundary of state interference in our private lives be? Perhaps, this crucible of changes will change society and our everyday reality drastically, help us to shed the unnecessary and superficial things in life, and to gain a better understanding of ourselves and the people around us.
–theme description from the Cyfest/Cyland site

Long List:

  1. Francesca Fini (Italy), /S)CONFINAMENTO — first chapter, 2020
  2. Cecilia Dougherty (USA), Drift, 2020
  3. Aristarkh Chernyshev (Russia), Dystopia #02, 2018
  4. Ellen K. Levy (USA), Crying Astronaut, 2019
  5. Arina Slobodianik (Russia), Isolation / Urban / Zone, 2020
  6. Hayashi Yuki (Japan), Cells and Glass, 2020 
  7. Mikhail Zheleznikov (Russia), Souvenir from America, 2020
  8. Guilherme Bergamini (Brazil), Plenitude / Entirety, 2020 
  9. Olga Kisseleva (France), Conquistadors, 2018
  10. Jonathan Phanhsay-Chamson (France), 1000 dreams: Zenti the invincible, 2019
  11. Andréa Stanislav (USA), Zero Gravity — Nostalgia for Earth, 2020
  12. Fay Heady (Japan), Otaku Boi, 2019
  13. Phyllis Baldino (USA), Run the gamut, 2020
  14. Terry Trickett (UK), Passeggiata, 2019
  15. Prantik Basu (India), Palace of Colours, 2019 
  16. TONOPTIK (Yuriy Tolstoguzov, Alex Inkov) (Russia), Zen, 2019
  17. Boris Shershenkov (Russia), Etheroforming, 2020

MORE NEWS ON THIS COMING UP AS THE FESTIVAL SHAPES UP.

Time Before Memory

a story game by Cecilia Dougherty

Announcing my new mobile and web-native story game, which I produced in Twine and which has just been launched (Dec 8, 2019) by Microscope Gallery in Brooklyn as the first project in their new web-based artspace, Platform. Thank you, Andrea and Elle!

screen shot of Time Before Memory gameplay

You can play the game online here. Play the story on your phone, your iPad or tablet, laptop, or computer. It’s Paleolithic!