Cyland Media Art Laboratory Picks up my Cyber Art for Distribution and Archiving

Drawing from interactive fiction by Cecilia Dougherty based on drawing of a mammoth from El Castillo paleolithic site in Spain.

Three web-based pieces: Time Before Memory (Interactive Fiction 2019), Drift (interactive photo essay, 2020), and my newest piece, Shanidar, Safe Return (Interactive Fiction, 2023). These works are viewable on my website and are now a part of an international collection of web-based works.

From their website: https://videoarchive.cyland.org/

CYLAND VIDEO ARCHIVE
International Digital Online Archive

The CYLAND Video Archive (since 2008) is one of the first systematized online video art platform of its kind: most of the works gathered here are accessible for view on the internet at the archive website. 

The idea to make video art works and films open for the public viewing online comes from the beginning. It was a very progressive thing to demonstrate and promote video art online and to have this exchange between classic and young artists and to make an international networking platform. CYLAND Video Archive is a great information and educational resource. Each year the Cyland Video Archive produces an international competition video art program for the CYFEST media art festival.

One of the tasks of the archive is to build an open and accessible collection, to protect works of art from being locked in private collections, and to prevent their technical basis from becoming outdated. The archive is structured in two parts: videos on the website with open access (artists personal pages), and the offline collection for professionals accessible at the archive office. Currently, the collection comprises over 600 videos from different countries. The collection includes video art, experimental films, computer graphics, 3D animation, stop-motion animation, poetic video, video documentation of art and education projects on cutting-edge technologies. 

CYFEST 13, St. Petersburg, 2021

The show was in November, 2021, before all hell broke loose. And the catalogue just came out, June 2022.

Image from the CYFEST 13 catalogue showing gallery installation of my web-based essay , “Drift”

Cecilia Dougherty (USA)
DRIFT
web-based art, 2020

“Drift” tells the story of a walk the artist took in March, 2020, along the North Shore of Staten Island, NY, just as it was beginning to dawn on people that
leisurely strolls might be a bad idea at the present moment. The project
was created using basic HTML/CSS coding, and the images were taken
with an iPhone. The artist takes a final stroll through favorite parts of her neighborhood before lockdown.

Descriptions of the surroundings and a chronicle of events of the pandemic are mixed with critical thoughts on virus capitalism, such as the experience of
resisting the virus in the USA and the inaction of the Trump administration.


I like the way my piece, Drift, is displayed – it’s a good size – not gigantic and not tiny, and it’s at a height and an angle that looks pretty accessible to me. Thank you, CYFEST!

Find Drift here: https://drift.ceciliadougherty.com/

Ride

The ferry, the bus, the subway. Walk, too. Walk around the neighborhood in the early morning hours, especially, when few people are up and about and you can occasionally take off your mask and enjoy the air, the colors of dawn, and the fragrance of the fall.

Announcing the launch of my new web-based essay, RIDE, about what it feels like being in public and being on public transit in New York. A complete environment for daydreaming, people-watching, and finding your place, your role, in the city.

Click the link below!

Ride is here.


Leaders lead, twits tweet

Even though I use Twitter the most of any social media, the sign below was my favorite yesterday as me and 400,000 other people walked up New York’s Fifth Ave for the Women’s March.

But I’m getting ahead of myself. First off, the ride on the Staten Island Ferry over to Manhattan had a number of small groups of people going to the Women’s March, which for Staten Island, New York’s only Republican borough, is very fine.  Right off the ferry and onto the No. 6 train, which was crowded with marchers. Festive atmosphere all around. The scene getting off the train and emerging into Grand Central was even better,  like this:

with wall to wall marchers. I don’t often congratulate Men As A Group, but you guys did well, showing up in large numbers. Could say “thanks!” but honestly if you’re doing it for one so-called-group (‘women’ btw are NOT a ‘group’, we are what you’d call HUMANS), you’re doing it for everyone, including yourselves.

Once on the street just outside GCT, it looked like this:

and then as we marched, people were really determined to keep this momentum going, some were in a party mood, and some like me still fearful because our president doesn’t know how to be a public servant and may completely tank not only the economy, the environment, women’s rights, voter’s rights, immigrant rights, freedoms of religion and belief, and our healthcare access,  but the democracy itself. 

STAY INVOLVED.